CV
EDUCATION
Studies in Philosophy, (1989 – 1990). Department of Philosophy, Stockholm University.
Academy of Photography, (1994 – 1994). (BA), University College of Arts Crafts and Design, Stockholm.
Project Student, (1999 – 2001). Royal Academy of Fine Arts, Stockholm.
Studies in Musicology, (1998/2005). (BA), Department of Musicology, Stockholm University.
PhD, Artistic research, (2018). Faculty of Fine, Applied and Performing Arts, Academy of Music and Drama, University of Gothenburg.
PERMANENT WORKS
2024 (forthcoming) Solfångaren/Skuggivaren. In cooperation with Secretary International. Stranninge, Tensta. Commissioner: Stockholm Konst.
2020 Jordens Sång [Earth Song]. Permanent sound installation, Bobergskolan [Boberg school], Stockholm. . Commissioner: Stockholm Konst.
2017 Sky Brought Down, Site-specific sound installation for a new atrium as part of the university hospital of Gothenburg, Sweden. Commissioner: Konstenheten Västra Götalandsregionen
2014 The Well, Site-specific sound installation for the Swedish Institute in Paris, Commissioner: Statens konstråd (Public Art Agency, Sweden).
SELECTED SOLO EXHIBITIONS
2023 Soundings, intermedia installation. Norrlandsoperan: Vita kuben. Curator: Helena Wikström
2023 Salajiegna, intermedia installation. Norrlandsoperan: Vita kuben. Curator: Helena Wikström
2023 On Being a Tree. Sound installation for a pine tree. Akustikreservatet, Godsmagasinet Uttersberg.
2018 Sala | A Sonic Portrait of Our Time. Commissioner: Aguélimuseet, Sala, Sweden
2016 Mare Balticum – A Sonic Geography. KUMU Art Museum, Tallinn, Estonia
2016 Mare Balticum – A Sonic Geography. Ronneby Konsthall, Sweden
2015 Mare Balticum – A Sonic Geography, Commissioner: Gute LjaudKarte, Gotland, Sweden.
2012 Distances/Proximities, Site-specific sound installation for 150 wind instruments, at Slussen, Stockholm. Commissioner: Nordic Music Days, Stockholm.
2011 Solo show, Norrtälje Konsthall, Sweden.
2011 Currents, Site-specific sound installation and real-time sonification of the Golf Stream, Ultima contemporary music festival, Oslo opera house, Norway. 2010 SubAqua, Site-specific sound installation. Aarhus Commissioner: SPOR contemporary festival for sound and music. Aarhus.
2009 AtmoSpaces, 24 channel site-specific sound installation for Akademie der Künste Pariser Platz, Berlin, Germany. In collaboration with Rolf Giegold.
2009 SubAqua, Site-specific sound installation. Commissioner:,Klang! Hamburg.
2009 Avenue of Books, Site-specific sound installation, Stockholm University Library.
2009 Sounding Esplanade, Public, site-specific sound installation, World New Music Days, arranged by ISCM: International Society for Contemporary Music, Växjö.
2008 Inverted Soundscape, Sound installation, Växjö Konsthall. Sweden. Commissioner: Växjö Konsthall. Sweden.
2008 Circulus, Site-specific sound installation. Old Uppsala Museum, Sweden.
2007 Klangwäldchen, Site-specific sound installation. Nordic Embassies, Berlin. Commissioner: Swedish Embassy.
2007 Pendula Bergiorum, Site-specific sound installation. Bergius Botanic Garden, Stockholm Commissioner: Bergius Botanic Garden Stockholm.
2007 Memory Garden, Site-specific sound installation, Logen, Kisa Konsthall. Commissioner: Christina Wassberg
2001 Signs of Sorrow, Site-specific installation, Royal National Library, Stockholm, Sweden.Commissioner: Royal National Library, Stockholm, Sweden
SELECTED GROUP EXHIBITIONS
2023 Out of the Forest/Ut ur skogen. Sound installation. Hammarskog herrgård. Konstskådning 2023.
Curator: Anna Einarsson.
2023 Ein Meer aus Herzschlag/Ett hav av hjärtslag. Sound installation. Ulvhälls hällar skulpturpark.
Curator: Björn Norberg
2022 Vattenväsen/ Study of a CTD. Gå över Ån. Commissioner: Norrtälje konsthall.
2022 Earth Song, Site-specific Sound installation. Resonating Bodies. Commissioner: Uppsala konstmuseum. Sweden. Curated by: Rebecka Abrahamsson Wigh.
2022 House Drawing, Site-specific sound performance. AVFART: Exhibition for an abandoned traffic route. Kristineberg. Curated by: Zimm Hall and Björn Norberg. In cooperation with Konst- främjandet.
2021 Earth Song, Site-specific sound installation, Radialsystem, Berlin. Commissioner: Heroines of Sound Festival, Berlin. Curated by: Bettina Wackernagel.
2019 Interactive Sound Walk for project Gränsland/Borderland, Stockholm. Commissioners: Markus Bohm & Björn Norberg.
2017 Ein Meer aus Herzschlag, Site-specific sound installation for St. Petri-Friedhof Braunschweig,Germany. Commissioner: Klangstaetten – Stadtklaenge Braunschweig. Curated by Konsumverein Braunschweig.
2017 Songs from the Backside of Society, Site-specific sound installation, Fortress Nyköpingshus, Sweden Commissioner: Sound of Sörmland.
2016 Mare Balticum, Finalist in the international competition European Soundart Award 2016: Marler Medienkunst-Preise 2016 Skulpturenmuseum Glaskasten Marl, Germany. Commissioner: WDR3.
2016 Songs from the Backside of Society, Site-specific sound installation. Fortress Varberg, Commissioner: Art Inside Out, Varberg.
2014 Klangtexte – A Documentation Exhibition on Sound Art in Public Space: Errant Bodies Sound Art Project Space, Berlin.
2013 Degrees of Noise, Site-specific sound installation, part of Embassy Reconstructed – A sonic investigation of the Phenomenon Embassy, Nordic Embassies, Transmediale Media Festival, Berlin. Commissioner: Transmediale Media Festival, Berlin.
2013 Collective sound installation, Dirty Ear Forum, Errant Bodies Gallery, Club Transmediale, Transmediale Media Festival, Berlin.
2012 Currents, a real-time sonification of the Gulf stream. Exhibition documentation. Horizonic – Exploring Space Through Sound, Hverdargierdi, Iceland;
2012 Currents, a real-time sonification of the Gulf stream. Exhibition documentation. Horizonic – Exploring Space Through Sound, Ystad Art Museum, Sweden.
2012 Currents, a real-time sonification of the Gulf stream. Exhibition documentation. Horizonic – Exploring Space Through Sound, Borealis Festival, Caen, France
2009 Inverted Soundscape, Sound installation, Sound Made Visible, Kunsthallen Braenderigården, Denmark.
2009 Sound Sculpture, Supermarket Art Fair, Stockholm. Residency at Neon Galleri, Brösarp, Sweden. Supported by Fylkingen intermedia association.
2008 Sonic Promenade, Site-specific sound installation, Stavanger. Commissioner: Article: Biennal for Electronic and Unstable Art Stavanger Norway.
2008 Atrium, Site-specific sound installation, Sandviken Art Festival. Commissioner: Sandviken konsthall.
2007 Klangwäldchen, Site-specific sound installation. KursfürstenStraße, Berlin. Commissioner: K&K Kulturmanagement & Kommunikation for Quartiersmanagement Magdeburger Platz.
2007 Chagall Museum of Polotsk, Belarus.
2006 Modern Museum, Vitebsk, Belarus.
2005 Modern Museum, Kaliningrad, Russia.
2003 Gallery Astley, Uttersberg, Sweden.
2003 Swedish Association for Art [Sveriges allmänna konstförening], Stockholm, Sweden.
REPRESENTED
The British Museum; The Hasselblad foundation; The National Library of Sweden; The Nationalmuseum, Sweden; The Public Art Agency, Sweden; The Modern Museum, Stockholm.
SCHOLARSHIPS AND AWARDS
2019 Honorary Mention for Sky Brought Down@Prix Art Electronica, Linz.
2019 The Royal Academy of Music. Hilding Rosenberg award
in musicology for outstanding research, for my dissertation Before Sound.
2016 Finalist in the international competition European Soundart Award 2016, Marl.
2016 Residence at Art inside Out “Role of Culture in Urban Development” Residency as part of Kultur in Halland.
2014 Wallenberg Travel Scholarship.
2013 Artist residence at icebreaker Oden; Oden Arctic Technology Research Cruis
[OATRC] 2013 as part of The Swedish Polar Research Secretariat’s Artist Program.
2011 Swedish Royal Music Academy, Travel Scholarship.
2009 The Swedish Arts Grants Committee: Financial support for international cooperation
2008 IASPIS [International Artists’ Studio Program in Sweden]: Support for exhibiting abroad.
2005 The Swedish Arts Grants Committee: One year artist grant.
2004 The Hasselblad Foundation: Residence in Grez-sur-Loing, France
2004 The Swedish Arts Grants Committee: Assistant grant to assist German sound artist Christina Kubisch
2003 Helge Ax:son-Johnson foundation.
EMPLOYMENT
2021-2023 (ongoing) Postdoc. researcher. International postdoc financed by Swedish Research Council.
2020-2021 Interim professor, Sound in Fine Arts, Hochschule für Bildende Künste, Braunschweig.
2020 Royal College of Music, Stockholm: Coordinator, interdisciplinary processes.
2019/2020 University Lecturer, Sound as Critical Practice, 30 credits (Developed and Course responsible together with Jenny Sunesson) Stockholm University of Arts.
2014-2020 University Lecturer, 5 credits course ”Intermedia”; Royal University of Music, Stockholm, BA and MA Level: with Jenny Sunesson.
2009-2011 Holder of the German Dorothea Erxleben Scholarship, Hochschule für bildende Künste in Braunschweig, Germany; Organized by the Niedersächskisches Ministerium für Wissenschaft und Kultur in order to promote women to getting qualified for an academic professorship: The Scholarship included the development of several longer and shorter workshops, projects and courses for student groups of 7-20 students, BA and MA level.
2008-2009 University Lecturer, 7.5 credits course ”Experimental Music and Sound Art”, developed the course together with Andreas Engström. Department of Musicology, Stockholm University. MA and BA level.
CURATING AND MODERATING
2019 Moderator. International symposium a bout music technology and inclusion in Sweden. Nässjö. Organiser: ShareMusic & Performing Arts.
2019 Moderator. International symposium a bout music technology and inclusion in Sweden. Västerås. Organiser: ShareMusic & Performing Arts
2018 Moderator. Artistic Research Project Music in Disorder (Klas Nevrin): A one day Symposium. Royal College of Music, Stockholm, Sweden.
2013 Curator. Embassy Reconstructed – A one year long sonic investigation of the phenomenon Embassy, Nordic Embassies, Transmediale Media Festival, Berlin. Initiating and realisation of new artistic commissions, a exhibition and a seminar. Invited artists: Juliana Hodkinson, Liv Strand, Susanne Skog, Jacob Kirkegaard, Brandon LaBelle and KNM: Kammerensemble Neue Musik, Berlin.
OTHER COMMISSIONS
2021- Member of the research board, Seismograf: Journal of Contemporary Music and Sound Art.
2018-2020 Member of the board of Sala Konstförening/Aguélimuseet
2011-2014 Member of the publication committee of The Royal Swedish Academy of Music.
2007-2017 Member of the editorial board of journal of contemporary music journal Nutida Musik.
2019 Expert reviewer, JAR: Journal of Artistic Research.
2019 Expert reviewer Seismograf, Journal of Contemporary Music and Sound Art, Denmark.
SCIENTIFIC COOPERATION
2014-2016 Participating artist in the EU and Life founded scientific research project “Baltic Sea Information on the Acoustic Soundscape”, BIAS.https://biasproject.wordpress.com
PRESENTATIONS & WORKSHOPS
2023 Public presentation “The Sounding Archive – About the newly acquired artwork
Sala – A sonic portrait of the present” Archive Day. Västerås konstmuseum, Sweden.
2023 Public research seminar. “Acoustic oceans and ice”. In conjunction with Åsa Stjerna’s exhibition Soundings, Vita kuben, Norrlandsoperan and UmArts (Umeå University) are organizing a symposium on the Arctic sound environment and different approaches to artistic research. There will be a screening of Susan Schuppli’s new film Listening to Ice (2023), followed by presentations, panel discussions and a finissage in the White Cube With artists Åsa Stjerna (Sweden) and Susan Schuppli (UK/Canada).
2023 Guest lecture. “Sonification as artistic approach and method.” Konstnärligt ljudlabb, (Course director: Jenny Sunesson). Stockholm University of the Arts.
2023 Guest lecture “Sounding Entaglements” Bachelor of Arts Program in Music, specializing in Composition Konstnärligt kandidatprogram i musik, inriktning Komposition Academy of Music and Drama, Gothenburg, Sweden.
2023 Conference Presentation “After Sound” Fountains Failures Futures: The afterlives of public art.
Public Research Symposium. Faculty of Engineering (LTH), Lund University & Skissernas Museum, Sweden. Project leader: Maddie Leach. Co-workers: Cathryn Klasto, Lars-Henrik Ståhl, Mick Wilson.
2023 Academic presentation. Sonic Visions of the Arctic. The Arctic University of Norway, Tromsø
2023 Academic Presentation. “Sallajegna”. Swedish Defence University, Stockholm.
The Arctic – Climate, Culture and Security, A full-day seminar on the Arctic.
2022 Academic presentation. Art and science – A Possible Alliance? CAGE Thursday Seminar. The Centre for Arctic Gas Hydrate, Environment and Climate. UiT: The Arctic University of Norway. Tromsø, Norway.
2022 Guest Lecture. “Sounding Connections – On Synesthesia and Ecosophy.” Academy of Music and Drama, Gothenburg. Sweden.
2022 Guest Lecture. “Sounding Connections – On Synesthesia and Ecosophy. Berlin School of Sound, Berlin, Germany.
2022 Academic Presentation. Postdoctoral Project: “Sonic Visions of The Arctic. WONA Research Group. UiT: The Arctic University of Norway. Tromsø, Norway.
2022 Academic Presentation. “ Listening into Relations:” at Perspectives on Climate Change Ecopsychology, Art & Narratives, Uppsala University, Sweden.
2022 Guest presentation. Audiovisuellt forum, Dalarna University, Sweden.
2022 Academic presentation: Sonic Vision of The Arctic—Tracing the Inherent Agency of Sound. Sounding Crisis: Cimate Crisis & Sonic Agency Lecture Series Organized by Ania Mauruschat, Sound Studies Lab, University of Copenhagen, Denmark.
2022. Academic lecture & Workshop. “Mapping Your Artistic Context.” Situated-knowledge and new materialism as tools for exploring one’s context. In: Theories of Artistic Research. PhD level. Gothenburg University. Faculty of Fine, Applied and Preforming Arts, Gothenburg, Sweden.
2022 Guest presentation. “Acoustic Images of the Arctic— Sound’s potential in the perception of the Arctic and possible synergies between science and art. In conversation with Martin Jakobsson, Professor of Marine geology and Geophysics, Stockholm University. Expedition Konst, Waldemarsudde, Stockholm, Sweden.
2022 Guest Lecture. Sound in Artistic Research | Public Lecture Series. Sound Studies and Sonic Arts, Universität der Künste, Berlin, Germany.
2022. Academic lecture & Workshop. “Mapping Your Artistic Context.” Situated-knowledge and new materialism as tools for exploring one’s context. WONA research group. UiT, The Arctic University of Norway. Tromsø. Norway.
2021 Moderated presentation. Symposium on Artistic Research, “ARTICULATIONS – Theorising in practice” Swedish Research Council Malmö, Sweden”
2021. Guest presentation. Sound Arts Visiting Practitioner Lecture Series organized by CRiSAP and LCC Sound Arts & Design, London, UK.
2021 Baltic Sea Festival, Berwaldhallen (Östersjöfestivalen) Broadcasted interview about Mare Balticum and the participation in the EU supported scientific research project BIAS: Baltic Sea Information about the Acoustic Soundscape.
2021 Moderated conversation. Ideas and perspectives of a new Feminist Sonic Materialism in the context of field recording art, soundscape composition, and acoustic ecology. With: Åsa Stjerna, Salomé Voegelin, Marta Zapparoli. Moderation: Sabine Sanio. Heroines of Sound Festival, Berlin, Germany.
2021 Moderated conversation. Hidden Continuities in Electronic Music. Book Release: A Short History of Electronic Music and Its Women Protagonists (2021) by Johann Merrich. Dorit Chrysler, Åsa Stjerna, Bettina Wackernagel, Johann Merrich Moderation: Janina Klassen. Heroines of Sound Festival, Berlin, Germany.
2021 Presentation of Postdoctoral research project “Sonic Visions of the Arctic.” Posthumanities Hub Online seminar. KTH/Linköpings University, Sweden.
2019 Paper presentation: “What is Artistic Research?” Presented at the Swedish Research Council’s yearly internal staff assemebly. Stockholm Sweden.
2017 Seminar. “Tracing the Roots of Sound Art”, Part of the course “Feministic Perspectives in Auditive Arts”. Stockholm University of the Arts, Sweden.
2016 Mapping Your Artistic Context | Workshop. Stockholm University of the Arts. Sweden.
2016 Academic seminar. Tracing the Roots of Sound Art, Program of Music- and Sound production. (BA-level). Academy of Music and Drama, Gothenburg, Sweden.
2016 Tracing the Roots of Sound Art, Program of Composition, MA-level, Academy of Music and Drama, Gothenburg, Sweden.
2015 “What Can Sound Art Do?”. Moderated debate on sound art, togther with Seth Kim Cohen and Andreas Engström. Conference on Art, Sound and Radio produced by Riksutställningar/Swedish Exhibition Agency and Halland Art Museum, Sweden.
2013 Artist presentation and lecture on site-specific sonic practise, Sound Art Program (Ljudkonstprogrammet), MA-Level. Stockholm University of Arts, Sweden
2012 Artist presentation, ”EM-hören”. Electronic Studio, Department of Audio Communication, Technische Universität, Berlin, Germany.
2011 Artist presentation and lecture on sound art in public space, Sound Art Program, Stockholms Konstnärliga Högskola, Stockholm University of Arts. Sweden.
2011 Moderated presentation by the Dorothea Erxleben scholarships holders 2009-2011 Hochschule für Bildende Kuenste Braunschweig, Germany.
2011 Research symposium on sound art. Department of Aesthetics and Communication/ Aestethics & Culture. University of Aarhus, Denmark.
2011 Artist presentation and lecture on sound art in public space, Valand School of Fine Art, BA & MA Level. Gothenburg University. Sweden.
2011 Artist presentation and lecture on sound art in public space, Royal College of Art, Stockholm, Sweden.
2010 ”Mapping Sound in Art” Moderated seminar as part of Unsound Festival, New York. U.S.
2009 Artist presentation at symposium ”Sound and Site”, Full Pull Festival, Malmö, Sweden.
2009 Presentation. “Swedish Electroacoustic Music and Sound Art”, at the Electronic Studio, Department of Audio communication, Technical University, Berlin, Germany.
2009 Paper Presentation. ”On the Adaption of Sound Art in Swedish Art Critic After the Postmodern Break-Through”. Soundings: A one day seminar on sound art, Royal Danish Academy of Fine Arts, Copenhagen, Denmark.
2009 Combined artist presentation and lecture. “On Sound Art in Public Space”. Konstfack (University of Art, Craft and Design), Stockholm, Sweden.
2009 Combined artist presentation and lecture, “On Sound Art in Public Space”. Department of Musicology, Stockholm University, Sweden.
2009 Combined artist presentation and lecture. “On Sound Art in Public Space”. Dramatiska institutet (University College of Film, Radio, Television and Theatre), Stockholm, Sweden.
2008 Artist presentation. Symposium ”Sound and Light Art”, Uppsala Art Museum, Sweden.
2008 Artistic presentation, at ”Listen To the World”, A seminar on sound art and contemporary music arranged by Växjö University and COMA festival, as part of World New Music Days 2009.
2008 Presentation. “On Sound Art in Public Space”, Arranged by SEAMS, Society for Electro-acoustic Music in Sweden.
BROADCASTING
2013 Musikmagasinet On Sound Art.
2010 A one hour program about the Austrian sound artist Bernhard Leitner. A commission from the Swedish National Broadcasting, Sveriges Radio P2 Monitor.Acade”The Arctic Unn